fallingmoss
visual musings
fallingmoss
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lesthetiquedelinventaire:

Noémie Goudal 
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lesthetiquedelinventaire:

ériver hijano  
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bienenkiste:

A Shadow Necessary for Windows - 2002 Installation / Performance
part of the Cosmic Wonder project by Yukinori Maeda
bienenkiste:

A Shadow Necessary for Windows - 2002 Installation / Performance
part of the Cosmic Wonder project by Yukinori Maeda
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vuenville:

Crédit David Cousin Marsy
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hyperallergic:

Art Movements

Nancy Holt’s “Sun Tunnels” in Utah (photograph by Retis, via Flickr)
Art Movements is a weekly…

View Post
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cinoh:

pseudologics:
The Broken Circle, Emmen, The Netherlands, Robert Smithson
1971
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workman:

fabra-ars:
Cy Twombly
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exercicedestyle:

by vanja bazdulj
exercicedestyle:

by vanja bazdulj
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markagoodwin:

studio
mark goodwin
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likeafieldmouse:

Francis Alys - Sometimes Making Something Leads to Nothing (1997)
likeafieldmouse:

Francis Alys - Sometimes Making Something Leads to Nothing (1997)
likeafieldmouse:

Francis Alys - Sometimes Making Something Leads to Nothing (1997)
likeafieldmouse:

Francis Alys - Sometimes Making Something Leads to Nothing (1997)
likeafieldmouse:

Francis Alys - Sometimes Making Something Leads to Nothing (1997)
likeafieldmouse:

Francis Alys - Sometimes Making Something Leads to Nothing (1997)
likeafieldmouse:

Francis Alys - Sometimes Making Something Leads to Nothing (1997)
likeafieldmouse:

Francis Alys - Sometimes Making Something Leads to Nothing (1997)
likeafieldmouse:

Francis Alys - Sometimes Making Something Leads to Nothing (1997)
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vuls:

Dame Barbara Hepworth
Pierced Form (Epidauros) 1960
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darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
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likeafieldmouse:

Bonnie Mably - Trace (2013)
Artist’s statement:
“Trace is a manmade interpretation of geological phenomena / strata. It is comprised of surplus materials from plaster casts and sculptures collected over time. A trace of other peoples work existing in the piece, echoing the trace of man in the universe.”
likeafieldmouse:

Bonnie Mably - Trace (2013)
Artist’s statement:
“Trace is a manmade interpretation of geological phenomena / strata. It is comprised of surplus materials from plaster casts and sculptures collected over time. A trace of other peoples work existing in the piece, echoing the trace of man in the universe.”