fallingmoss
visual musings
fallingmoss
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Myampgoesto11 :

Cai Guo-Qiang : Spring, Summer, Fall, Winter (2014)
Gunpowder Drawing on porcelain as Part of installation “Spring, Summer, Fall, Winter” at Power Station of Art, Shanghai
My Amp Goes To 11 :  Twitter  |  Instagram
Myampgoesto11 :

Cai Guo-Qiang : Spring, Summer, Fall, Winter (2014)
Gunpowder Drawing on porcelain as Part of installation “Spring, Summer, Fall, Winter” at Power Station of Art, Shanghai
My Amp Goes To 11 :  Twitter  |  Instagram
Myampgoesto11 :

Cai Guo-Qiang : Spring, Summer, Fall, Winter (2014)
Gunpowder Drawing on porcelain as Part of installation “Spring, Summer, Fall, Winter” at Power Station of Art, Shanghai
My Amp Goes To 11 :  Twitter  |  Instagram
Myampgoesto11 :

Cai Guo-Qiang : Spring, Summer, Fall, Winter (2014)
Gunpowder Drawing on porcelain as Part of installation “Spring, Summer, Fall, Winter” at Power Station of Art, Shanghai
My Amp Goes To 11 :  Twitter  |  Instagram
Myampgoesto11 :

Cai Guo-Qiang : Spring, Summer, Fall, Winter (2014)
Gunpowder Drawing on porcelain as Part of installation “Spring, Summer, Fall, Winter” at Power Station of Art, Shanghai
My Amp Goes To 11 :  Twitter  |  Instagram
Myampgoesto11 :

Cai Guo-Qiang : Spring, Summer, Fall, Winter (2014)
Gunpowder Drawing on porcelain as Part of installation “Spring, Summer, Fall, Winter” at Power Station of Art, Shanghai
My Amp Goes To 11 :  Twitter  |  Instagram
Myampgoesto11 :

Cai Guo-Qiang : Spring, Summer, Fall, Winter (2014)
Gunpowder Drawing on porcelain as Part of installation “Spring, Summer, Fall, Winter” at Power Station of Art, Shanghai
My Amp Goes To 11 :  Twitter  |  Instagram
Myampgoesto11 :

Cai Guo-Qiang : Spring, Summer, Fall, Winter (2014)
Gunpowder Drawing on porcelain as Part of installation “Spring, Summer, Fall, Winter” at Power Station of Art, Shanghai
My Amp Goes To 11 :  Twitter  |  Instagram
Myampgoesto11 :

Cai Guo-Qiang : Spring, Summer, Fall, Winter (2014)
Gunpowder Drawing on porcelain as Part of installation “Spring, Summer, Fall, Winter” at Power Station of Art, Shanghai
My Amp Goes To 11 :  Twitter  |  Instagram
Myampgoesto11 :

Cai Guo-Qiang : Spring, Summer, Fall, Winter (2014)
Gunpowder Drawing on porcelain as Part of installation “Spring, Summer, Fall, Winter” at Power Station of Art, Shanghai
My Amp Goes To 11 :  Twitter  |  Instagram
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Thehollowsquare :

kusho, shinichi maruyama
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Gregorycolbert :

Still off the grid exploring the Music of Nature. This IS day two hundred and Forty-Four.
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iriscolorimetry:

étoile du matin (morning star) at chapelle de Ronchamp
Le Corbusier
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secretlittlegem:

Louise Bourgeois
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anachoretique:

Kati Horna Remedios Varo, Mexico, 1957
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workman:

red-lipstick:
Shang Ma (Chinese, b. China, based San Francisco, CA, USA) - Existence No.8      Paintings: Oil on Canvas
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asylum-art:

Echo Morgan: Blue and White Porcelain
photos: Jamie Baker
The performance “’Be the Inside of the Vase” was divided into two parts. The first story began with my dad’s attempt to commit suicide. The performance revealed my uneasy childhood and difficult relationship with my father. I was still and silent whist my voice revealed the narrative using a pre-recorded audio. In the second performance the story moves towards my relationship with my mother. Through a rather brutal personal history I addressed sexually political statements:  From my father: “Women should be like vase, smooth, decorative and empty inside! ” From my mother: “ Don’t be a vase, pretty but empty inside, be the inside, be the quality!” From myself: “This is my voice, my story, my childhood, I am not a vase! .”
Watch the video:

Be the inside of the vase from Echo Morgan on Vimeo.
asylum-art:

Echo Morgan: Blue and White Porcelain
photos: Jamie Baker
The performance “’Be the Inside of the Vase” was divided into two parts. The first story began with my dad’s attempt to commit suicide. The performance revealed my uneasy childhood and difficult relationship with my father. I was still and silent whist my voice revealed the narrative using a pre-recorded audio. In the second performance the story moves towards my relationship with my mother. Through a rather brutal personal history I addressed sexually political statements:  From my father: “Women should be like vase, smooth, decorative and empty inside! ” From my mother: “ Don’t be a vase, pretty but empty inside, be the inside, be the quality!” From myself: “This is my voice, my story, my childhood, I am not a vase! .”
Watch the video:

Be the inside of the vase from Echo Morgan on Vimeo.
asylum-art:

Echo Morgan: Blue and White Porcelain
photos: Jamie Baker
The performance “’Be the Inside of the Vase” was divided into two parts. The first story began with my dad’s attempt to commit suicide. The performance revealed my uneasy childhood and difficult relationship with my father. I was still and silent whist my voice revealed the narrative using a pre-recorded audio. In the second performance the story moves towards my relationship with my mother. Through a rather brutal personal history I addressed sexually political statements:  From my father: “Women should be like vase, smooth, decorative and empty inside! ” From my mother: “ Don’t be a vase, pretty but empty inside, be the inside, be the quality!” From myself: “This is my voice, my story, my childhood, I am not a vase! .”
Watch the video:

Be the inside of the vase from Echo Morgan on Vimeo.
asylum-art:

Echo Morgan: Blue and White Porcelain
photos: Jamie Baker
The performance “’Be the Inside of the Vase” was divided into two parts. The first story began with my dad’s attempt to commit suicide. The performance revealed my uneasy childhood and difficult relationship with my father. I was still and silent whist my voice revealed the narrative using a pre-recorded audio. In the second performance the story moves towards my relationship with my mother. Through a rather brutal personal history I addressed sexually political statements:  From my father: “Women should be like vase, smooth, decorative and empty inside! ” From my mother: “ Don’t be a vase, pretty but empty inside, be the inside, be the quality!” From myself: “This is my voice, my story, my childhood, I am not a vase! .”
Watch the video:

Be the inside of the vase from Echo Morgan on Vimeo.
asylum-art:

Echo Morgan: Blue and White Porcelain
photos: Jamie Baker
The performance “’Be the Inside of the Vase” was divided into two parts. The first story began with my dad’s attempt to commit suicide. The performance revealed my uneasy childhood and difficult relationship with my father. I was still and silent whist my voice revealed the narrative using a pre-recorded audio. In the second performance the story moves towards my relationship with my mother. Through a rather brutal personal history I addressed sexually political statements:  From my father: “Women should be like vase, smooth, decorative and empty inside! ” From my mother: “ Don’t be a vase, pretty but empty inside, be the inside, be the quality!” From myself: “This is my voice, my story, my childhood, I am not a vase! .”
Watch the video:

Be the inside of the vase from Echo Morgan on Vimeo.
asylum-art:

Echo Morgan: Blue and White Porcelain
photos: Jamie Baker
The performance “’Be the Inside of the Vase” was divided into two parts. The first story began with my dad’s attempt to commit suicide. The performance revealed my uneasy childhood and difficult relationship with my father. I was still and silent whist my voice revealed the narrative using a pre-recorded audio. In the second performance the story moves towards my relationship with my mother. Through a rather brutal personal history I addressed sexually political statements:  From my father: “Women should be like vase, smooth, decorative and empty inside! ” From my mother: “ Don’t be a vase, pretty but empty inside, be the inside, be the quality!” From myself: “This is my voice, my story, my childhood, I am not a vase! .”
Watch the video:

Be the inside of the vase from Echo Morgan on Vimeo.
asylum-art:

Echo Morgan: Blue and White Porcelain
photos: Jamie Baker
The performance “’Be the Inside of the Vase” was divided into two parts. The first story began with my dad’s attempt to commit suicide. The performance revealed my uneasy childhood and difficult relationship with my father. I was still and silent whist my voice revealed the narrative using a pre-recorded audio. In the second performance the story moves towards my relationship with my mother. Through a rather brutal personal history I addressed sexually political statements:  From my father: “Women should be like vase, smooth, decorative and empty inside! ” From my mother: “ Don’t be a vase, pretty but empty inside, be the inside, be the quality!” From myself: “This is my voice, my story, my childhood, I am not a vase! .”
Watch the video:

Be the inside of the vase from Echo Morgan on Vimeo.
asylum-art:

Echo Morgan: Blue and White Porcelain
photos: Jamie Baker
The performance “’Be the Inside of the Vase” was divided into two parts. The first story began with my dad’s attempt to commit suicide. The performance revealed my uneasy childhood and difficult relationship with my father. I was still and silent whist my voice revealed the narrative using a pre-recorded audio. In the second performance the story moves towards my relationship with my mother. Through a rather brutal personal history I addressed sexually political statements:  From my father: “Women should be like vase, smooth, decorative and empty inside! ” From my mother: “ Don’t be a vase, pretty but empty inside, be the inside, be the quality!” From myself: “This is my voice, my story, my childhood, I am not a vase! .”
Watch the video:

Be the inside of the vase from Echo Morgan on Vimeo.
asylum-art:

Echo Morgan: Blue and White Porcelain
photos: Jamie Baker
The performance “’Be the Inside of the Vase” was divided into two parts. The first story began with my dad’s attempt to commit suicide. The performance revealed my uneasy childhood and difficult relationship with my father. I was still and silent whist my voice revealed the narrative using a pre-recorded audio. In the second performance the story moves towards my relationship with my mother. Through a rather brutal personal history I addressed sexually political statements:  From my father: “Women should be like vase, smooth, decorative and empty inside! ” From my mother: “ Don’t be a vase, pretty but empty inside, be the inside, be the quality!” From myself: “This is my voice, my story, my childhood, I am not a vase! .”
Watch the video:

Be the inside of the vase from Echo Morgan on Vimeo.
asylum-art:

Echo Morgan: Blue and White Porcelain
photos: Jamie Baker
The performance “’Be the Inside of the Vase” was divided into two parts. The first story began with my dad’s attempt to commit suicide. The performance revealed my uneasy childhood and difficult relationship with my father. I was still and silent whist my voice revealed the narrative using a pre-recorded audio. In the second performance the story moves towards my relationship with my mother. Through a rather brutal personal history I addressed sexually political statements:  From my father: “Women should be like vase, smooth, decorative and empty inside! ” From my mother: “ Don’t be a vase, pretty but empty inside, be the inside, be the quality!” From myself: “This is my voice, my story, my childhood, I am not a vase! .”
Watch the video:

Be the inside of the vase from Echo Morgan on Vimeo.
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likeafieldmouse:

Jon Rafman - Brand New Paint Job (2013)
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coyotenegro:

Elena Stonaker <3
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nyctaeus:

Louise Bourgeois
PREGNANT WOMAN, 2009
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whitneymuseum:

Jeff Koons’s Play-Doh is made up of twenty-seven individual interlocking pieces of painted aluminum and took two decades to fabricate. Definitely not child’s play! 
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justanothermasterpiece:

Claire Desjardins.
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Schuhtutehemd :

Frida Kahlo - “Memory (The Heart)” 1937
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bakerie:

gusememo